Wings

Paul McCartney had another band, of course. Try these this Saturday:

“Band on the Run” (1973). Their signature anthem, a sprawling, multi-part composition that showcases McCartney’s knack for melody. This song is often seen as their defining masterpiece due to its complex structure, compelling storytelling, and the way it encapsulates the essence of Wings' music. “Jet” (1973). Power-pop with brass and a huge chorus; shows Wings’ arena-rock side. “Live and Let Die” (1973). Written for the Bond film, this song is a unique blend of orchestral drama and rock drive. The orchestral elements, including the use of brass and strings, add a cinematic quality to the song, making it a standout in Wings' repertoire. It cemented Wings as a significant force beyond just “Paul’s new band.” “Maybe I’m Amazed (live)” (1976, Wings Over America). A live rendition that transcended its original version from McCartney (1970), becoming an iconic showcase of McCartney’s vocals and the band’s raw energy. “Silly Love Songs” (1976). This playful song was a direct response to critics who accused McCartney of writing lightweight, sentimental tunes. Despite this, it became a number-one hit and a testament to Wings' ability to dominate the pop charts. The song’s success also served as a vindication of McCartney’s songwriting prowess. “Listen to What the Man Said” (1975) . Breezy, melodic, and polished, this exemplifies Wings' mid-1970s radio sound. “Mull of Kintyre” (1977) . A UK phenomenon (biggest-selling single of all time in UK until 1984), with bagpipes and folk roots, showing McCartney’s melodic traditionalism.